Exhibitions

Afro-American Images 1971: The Vision of Percy Ricks

In February 1971, the newly formed Delaware organization, Aesthetic Dynamics, Inc., presented its first major undertaking: the exhibition of over 130 works of art—drawings, prints, photographs, paintings, and sculpture—by 66 African American artists. Numerous factors led to artist Percy Ricks’ founding of Aesthetic Dynamics and their ambitious inaugural exhibition, most notably the trauma suffered from the 1968 assassination of Martin Luther King, Jr. and the subsequent nine-month National Guard occupation of Wilmington and Ricks’ desire to emphasize the influence of African American artists in Wilmington.

Now at its 50th anniversary, Aesthetic Dynamics, Inc. and the Delaware Art Museum are collaborating to revisit this momentous exhibition. Afro-American Images 1971: The Vision of Percy Ricks will include most of the artists who participated in the 1971 show, many known locally—Humbert Howard, Simmie Knox, Edward Loper, Sr., and Edward Loper, Jr.—as well as those recognized nationally including Romare Bearden, Sam Gilliam, Loïs Mailou Jones, Faith Ringgold, Alma Thomas, and Hale Woodruff. By rehanging the show as accurately as possible, the partnering organizations hope to examine the exhibition’s role in the Black Arts Movement as well as question why this seemingly successful event was largely neglected by historians in the decades that followed.

Oct 24, 2021  -  Jan 23, 2022

Price: Free with admission

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Black Orpheus, 1969. Humbert Howard (1905–1990). Oil and collage on Masonite™, 49 3/4 × 40 inches, frame: 57 1/4 × 47 1/8 inches. Delaware Art Museum, Gift of Dr. John E. and Carol Hunt, 2009. © Howard Heartsfield Gallery.

Waiting, 1968. Ernest Crichlow (1914–2005). Lithograph, composition: 12 × 11 1/2 inches, sheet: 18 1/2 × 13 3/4 inches. Delaware Art Museum, Acquisition Fund, 2019. © Estate of Ernest Crichlow.

Brother, 1967-1969. Charles Searles (1937–2004). Oil on canvas, 16 1/4 × 20 inches. Delaware Art Museum, Acquisition Fund, 2020.

Street of the Market, Zaria, 1964. James A. Porter (1905–1970). Oil on canvas, 16 x 26 inches. Delaware Art Museum, Acquisition Fund, 2018. © Estate of James A. Porter.

Pool Room 11th & Walnut, 1971. Edward Loper Jr. (born 1934). Oil on canvas, 24 × 36 inches. Delaware Art Museum, Louisa du Pont Copeland Memorial Fund, 2019. © Edward Loper Jr.

The Strike, c. 1970. E. Loretta Ballard (1916–2001). Oil on canvas, 47 1/2 × 23 1/4 inches. Collection of K. Joy Ballard Peters. © E. Loretta Ballard.

Granada, 1967. Barkley L. Hendricks (1945–2017). Oil and acrylic on canvas, 46 1/4 × 47 7/8 inches. Dr. John T. and Mrs. Myrtle J. Williams. © Estate of Barkley L. Hendricks. Courtesy of the artist’s estate and Jack Shainman Gallery, New York.

Guardian of the Image Makers, c. 1975. Percy Eugene Ricks (1923–2008). Screen print, composition: 23 3/8 × 17 3/8 inches, sheet: 35 × 23 inches. Courtesy of JENN and Associates. © Estate of Percy Eugene Ricks.

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Organizers & Sponsors

This exhibition was organized by the Delaware Art Museum and Aesthetic Dynamics, Inc. This exhibition is made possible by the Johannes R. and Betty P. Krahmer American Art Exhibition Fund and the Emily DuPont Exhibition Fund. This exhibition and its related programming are made possible through grants from the Jessie Ball duPont Fund, PNC Arts Alive, DuPont, Corteva Agriscience, Bank of America Charitable Foundation, and the TD Charitable Foundation. This exhibition is sponsored by AARP and M&T Bank. Additional support provided by The News Journal. This project is supported in part by the National Endowment for the Arts. This organization is supported, in part, by a grant from the Delaware Division of the Arts, a state agency, in partnership with the National Endowment for the Arts. The Division promotes Delaware arts events on www.DelawareScene.com.