The Delaware Art Museum may be closed, but you can still visit the Museum and its collection of over 12,000 works of art through a variety of innovative tours across email and social media.
The Museum recently launched “The View from DelArt,” an email highlights tour of the collection, in which staff, members and friends of the Museum share their favorite works of art. The tour kicked off with member Steve Gregg’s meditation on “Water Willow” by Dante Gabriel Rossetti, a popular painting from the Museum’s extensive Pre-Raphaelite collection. Gregg expressed his love for the painting and dropped this fun fact: “The view is of Kelmscott Manor, in the 1870s, a retreat in England where Jane Morris lived with her husband William, but more importantly the site of Rossetti’s liaison with Jane Morris, which adds intrigue and a bit of scandal to the painting.” The emails have also featured an illustration by John Sloan, glass art by Dale Chihuly, and a sculpture by Domenico Mortellito.
Meanwhile, the staff is taking over the Museum’s social media feeds with their favorite works of art, offering insight into the people who make the Museum a vital hub for the community. Lead Museum Jessa Mendez shared her love for “The Spring Witch,” George Wilson’s Pre-Raphaelite masterpiece. Meanwhile, Chief Curator and Curator of American Art Heather Campbell Coyle highlighted the bright blossoms featured in Howard Pyle’s murals because “they capture spring in this area so perfectly.”
The Museum is also celebrating what would have been the opening of the exhibition, Layered Abstraction: Margo Allman & Helen Mason, with a virtual tour. “So many individuals have worked together over the past several years to create this exhibition in celebration of the careers of Margo Allman and Helen Mason,” says Margaret Winslow, Curator of Contemporary Art, who curated Layered Abstraction. “One of the joys of being a curator is seeing the response visitors have when they enter the gallery and see the results of such a large project. I’m eager for that moment but excited to share a sneak peek through our virtual tour of the gallery.” Head to https://www.delart.org/ for this video and other online resources. For snippets of the Layered Abstraction virtual tour, follow us on social media:
The Museum continues to be a place where people can come together, enjoy art, and find community. Whether our doors are open or closed, we are always here for you. Sign up for our newsletter for all the latest information from the Museum: https://www.delart.org/about/e-news/
Acknowledgement of Support
This project is supported, in part, by a grant from the Delaware Division of the Arts, a state agency, in partnership with the National Endowment for the Arts. The Division promotes Delaware arts events on https://www.delawarescene.com/.
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About the Delaware Art Museum
For over 100 years, the Museum has served as a primary arts and cultural institution in Delaware. It is alive with experiences, discoveries, and activities to connect people with art and with each other. Originally created in 1912 to honor the renowned illustrator and Wilmington-native, Howard Pyle, the Museum’s collection has grown to over 12,000 works of art in our building and sculpture garden. Also recognized for British Pre-Raphaelite art, the Museum is home to the largest and most important Pre-Raphaelite collection outside of the United Kingdom and a growing collection of significant contemporary art. Embracing all disciplines, the Museum’s Performance Series ranges from concerts by Pyxis Piano Quartet, resident ensemble of over ten years, to cutting-edge, multi-disciplinary artists committed to social justice and pushing the boundaries of artistic practice.
Under the leadership of our Board of Trustees, the Delaware Art Museum is implementing a comprehensive approach to community and civic engagement. This exciting new strategic direction requires that we increase our value and relevance to all audiences. Visit delart.org to for the latest exhibitions, programs, and performances or connect with us via social media.